The workshop · London
A house that brings designers and craftsmen together around each ring: the stone cut for it, the gold worked for it, the record kept for it.
Why the house exists
A stone-cutter used to be asked for cuts nobody had ordered before. Then the trade worked out that a round brilliant, cut the same way ten thousand times, is a far better business than a fantasy cut made once.
It is. We are just not interested in it. Zeemek exists to keep the difficult cuts and settings alive by using them, not in a display case, but on the hand of somebody who will wear it to dinner.
The benches
Every ring starts as a drawing, worked digitally until the proportions are right, and you decide from the drawings before anything is made.
The gold is worked by hand after casting. Every edge that reads as crisp on a Zeemek, whether a flute, a scale or a feather's spine, happens at this bench.
Fantasy facets cut to order rather than to a standard grade: a V-cut, a kite, a shape that exists for one stone only. By hand, at the wheel, by eye.
Cut-down, pavé, channel and claw. The quietest bench in the room, and it insists on staying that way.
Every piece is photographed, numbered and filed before it leaves, and the record is kept for as long as the house stands. Authentication lives here, permanently.
The limit
A small team, working properly, produces about two dozen finished commissions in a year. We have been asked to take more and have said no every time, because the only way to take more is to care less about each one, and the moment we do that, there is no reason to choose us.
So the book closes. When the places for a season are taken, we will say so and offer you the next one rather than rush yours.
Begin a commission →Consultations
A video consultation costs nothing and commits you to nothing. Bring photographs, heirlooms, half-formed ideas.
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